Monday, February 22, 2010

Monday Morning Freewrite


It was a summer weekend a few years ago. My love and I had driven well outside of the city to join her folks for a weekend of camping and visiting a few wineries. The next day we came upon the Brotherhood Winery. Touting itself as America's Oldest Winery we were intrigued and stopped in for a tour and tasting. Our guide was a thin man, full of energy. He reminded me of a young Sammy Davis Jr. and in fact his name may very well have been Sam. Sam had his little spiel down pat, and wasted no time sharing with us the winery he had apparently come to know and love. Through the tour and tasting, both of which were fabulous, he kept repeating a phrase. "Love the wines you drink, and drink the wines you love" was his mantra. Whether a wine snob or a total novice you are going to realize that there are wines that speak to you. Enjoy that process of discovery and don't waste your time drinking wine that doesn't appeal to you. If you like a wine that someone else puts up their nose at, then so be it, it is a personal choice and there is no right or wrong answer. And at the same time, drink the wines you love. If there is a bottle that you know will benefit from aging, fine, but don't have a full shelf of bottles you never drink because you are waiting for something or someday. Buy two bottles, he would urge with his quick smile, one for now and one for later. Though I don't remember if he ever said "Carpe Diem", the sentiment was along those lines and it made a lot of sense. Recently I have been thinking a lot about Sam and his words of wisdom that day. Clearly he spoke to me, about the subjective journey through life that each of us leads, about the fragility of life, and the importance of doing what you love and loving what you do. To jump from one cliche to the next, he is right, life is too short.


In a few months I am going to be teaching a group of high school kids about gardens and garden design. I have already been thinking about how to describe the creativity, vision, and planning that goes into creating a beautiful landscape. Great garden design takes knowledge and foresight to set the foundation, and from there nothing is more valuable in the world of horticulture than time. Time shows you how plants will grow into a space, carefully helped along by the watchful eye of the gardener and careful use of pruners and saws to mold the vision. You have to see what becomes of the environment you set out to create, and how people choose to relate to it. How can I describe that to a bunch of kids raised in a technological age of instant gratification, older in years but still teething on their electronic pacifiers we call the Blackberry and the Sidekick?

I suppose this is why I first went into anthropology in school. Thanks to amazing education and amazing educators I realized that school is really all about problem solving. The better the school the better you become at problem solving, and thinking outside the box to achieve the proper solution. I remember Mario Montano, my college adviser, and how he would ingrain in me that anthropology was not a career path as much as a mindset. Each person lives in and creates their own environment based on their subjective views of the world around them. If you are good you can take a step back and look objectively at the same scene, what went into creating it, why it is as it is, and what it means in relation to the bigger picture of life. Then you can start to think as an anthropologist. Every class that wasn't an anthropology class I filled with art. And I guess it is no wonder why Edward Hopper would to this day be one of my favorite American artists.

(Chop Suey, oil on canvas, 1929)

Shy and introverted, Hopper depicted snapshots of American life in relatively simple and straightforward scenes. Yet he got you right there, right into that environment, right alongside those characters and how they interacted with their own space and reality. I was thinking yesterday about one of my favorite Hopper paintings, "Early Sunday Morning" from 1930.


I guess what speaks to me most is the sense of pause that Hopper created with his artwork. He not only presented a scene, but he gave you the chance to sit and meditate on that scene. He gave you that little glimpse into another time and place so that you could wonder about the little things, how the sun bounced off the geometric shapes, how the soft forms of the people related to those lines, how man and nature fit together to create life. I could sit and look at Hopper's paintings for hours on end. Others might completely disagree, and let them, for art is like life, and it is a subjective experience.

But some things are givens. In this country, in this technological age, we all have to work; there is no denying it. My mother pointed out a long time ago that in our lifetimes we will work more than we will do anything else: sleep, eat, spend time with loved ones, etc. So you might as well do what you love and love what you do. We can look at great leaders and creators and visionaries and see that they never got to where they did by standing idle and waiting for life to come to them. With a good education and strong foundation we can see challenges laid out before us, and we can take on those challenges to better our lives and the lives of others around us. We each have a different take on life and a different way to contribute. The tree work I love to do might not speak to others, the same way others line of work might not make sense for me. But together we work to provide and maintain an industry that the rest of the world relies on.


Every day I see hundreds of people going about their business in this, one of the greatest cities in the world. Yet most people seem unhappy, and grimace and rush through their days, their work, and their lives. And I am not saying that I don't do the same. But isn't it a shame that we don't take the time to step back and look at our environment? I was spilling through old photos long since forgotten about and came across some shots from a field trip to nurseries and gardens out on Long Island. I found one shot of a statue, washed with age but still standing strong and stately in front of a stand of London planetrees. I thought, this is beautiful but I missed it the first time around. I too forgot to take the time to meditate on the little things that enrich our lives, that provide the quality in "quality of life". So, in the words of Jon Stewart, here is your moment of Zen.

Sunday, February 21, 2010

favorite new tune of the week

In NYC one of the best little independent record stores is called Other Music. Down at 15 East 4th Street Other Music is a tiny place packed with an insane selection of albums and sounds you are not likely to find too many other places, from the tres hip to the uber experimental. You can sign up for their e-news mailing list and get treated to free downloads that run the full gamut of their audio offerings. Thanks to Other Music I have been hooked on this new tune from the Shout Out Louds. The title track from their new album due out on Tuesday this is "Fall Hard". And damn I think it's catchy. Can't wait to see how the rest of the album compares. Enjoy.

Saturday, February 20, 2010

morning commute headphones


"Do you curse where you come from?
Do you swear in the night?
Will it mean much to you
If I treat you right?
Do you like what you’re doing?
Would you do it some more?
Or will you stop once and wonder
What you’re doing it for?
Hey slow, Jane, make sense
Slow, slow, Jane, cross the fence

Do you feel like a remnant
Of something that’s past?
Do you find things are moving
Just a little too fast?
Do you hope to find new ways
Of quenching your thirst?
Do you hope to find new ways of doing
Better than your worst?
Hey slow, Jane, let me prove
Slow, slow, Jane, we’re on the move

Do it for you
Sure that you would do the same for me one day
So try to be true
Even if it’s only in your hazey way

Can you tell if you’re moving
With no mirror to see?
If you’re just riding a new man
Looks a little like me?
Is it all so confusing?
Is it hard to believe?
When the winter is coming can you
Sign up and leave
Hey slow, Jane, clear your eye
Slow, slow, Jane, fly on by"

-Nick Drake

"Hazey Jane 1" off the album Bryter Layter



Thursday, February 18, 2010

Sunday, January 31, 2010

winter, sunrise, graffiti, headphones

...Tell you my cup, cup, is running over, baby,
And I don't know what to, don't know what to do yeah,
Tell you my cup is running over,
And I don't know, don't know, don't know what to do...

-Bob Marley and the Wailers
from Grooving Kingston

Friday, January 29, 2010

the last day of 2009 (in snow)

I realized during yesterday's snow shower that I never posted these images of the Conservatory Garden to the blog. This is the morning of New Year's Eve. My friend and mentor Lynden B. Miller loves to quote Belgian landscape architect Jacques Wirtz as saying "A garden that is not beautiful in winter is not a beautiful garden". Clearly I couldn't agree more. Enjoy.
Yucca filamentosa 'Color Guard' at the end of one of the perennial beds in the English garden at the south end of the Conservatory Garden, accompanied by the fabulous structure of oakleaf hydrangea (Hydrangea quercifolia) and other shrubs, grasses and perennials providing winter interest.
It is under a fresh snow that I most love the crabapple (Malus floribunda) allees on either side of the central Italianate garden.
For it is winter that allows you the best chance to see the bones of a garden, the mix of smart horticulture and invaluable age that makes a place like this so special.

"Three Dancing Maidens" by German sculptor Walter Schott is a sensational piece of public art easily adored in every season.




I know, I know, I post a ton of images of the Conservatory Garden. But I think it is really important that people know this is a public space in Harlem, at 105th Street and Fifth Avenue, intended for all to enjoy, and in my opinion one of the best things in Manhattan.


Tuesday, January 26, 2010

plant of the day: black bamboo

botanically known as Phyllostachys nigra, this is black bamboo in winter
Photos taken at Brooklyn Botanic Garden early this morning before a great day catching up with old friends and meeting new people at Plant-O-Rama, the late January tradition amongst us urban horticulturists thanks to the Metro Hort Group.
Phyllostachys nigra:
-commonly called black bamboo
-Originally from China
-grows 20-50' high and wide and does best in full sun
-new culms (shoots) go from green to brown stippling to black
-hardy in USDA cold hardiness zones 7-10
-a running form of bamboo so if you are going to plant it, be sure to stay on top of controlling it over the years! ...and if you don't know that bamboo (the genus Phyllostachys) comes in both running and clump forms, you should know that. It will help you a great deal if you ever want to add bamboos to your garden scheme.

Thanks to Flora: a Gardener's Encyclopedia for factoid confirmation.

Saturday, January 23, 2010

first foray into the world of Photoshop, and related adventures


I must apologize for the lack of blogs recently posted, or not posted as the case may be. Wedding planning has officially begun along with the new year and free minutes are quickly gobbled by to-do list making and doing, pre-planning to avoid mental freak outs, and yes, even a foray into extremely fun but time consuming graphic design. This is the "Save the Date" postcard that I designed for us for our wedding this fall out on Long Island. I hope you like it. Certainly the horticultural blog posts have suffered and might continue to over the next couple months and I am sorry about that. But do stay tuned and I will try and be better about getting posts up on a more regular basis. Thanks.

Monday, January 4, 2010

quick tree question - fallen pods?

A friend recently wrote:
I have a quick tree question: what kind of tree are all those fallen pods coming from that are now on the sidewalks of Williamsburg? There's a ton near us. The pods are turning black, maybe rotting? (They don't seem to smell, but then again it's freezing out.) I'm just curious about the name of the tree. The sidewalks around Graham Avenue are covered with pods.
I answered:
I would guess you have a bunch of honeylocust trees around you. They have compound leaves comprised of small leaflets that turn a nice golden color in the fall before showering the pavement. The seed pods come after, from October through Dec/Jan and are dark brown to black, roughly 4-8" long, rather curved by this point. The pods hold good-sized round seeds, also a dark color. Does that sound right? They were a popular street tree planting years ago because they were able to cultivate a thornless variety (aka the ones you see, Gleditsia triacanthos var. inermis) - the regular species in the wild has serious 2" thorns that cover the branches. What everyone realized after the fact is that they are also pretty shallow rooted trees so now where you find a honeylocust as a street tree you also tend to find heaved up pavement. (potentially another ID characteristic for us urbanites). The botanical name is Gleditsia triacanthos, but obviously most people know them as honeylocusts.

Apparently I got it right:
Thanks for all this info! I just looked up images of honeylocust trees and that's exactly it! There are a ton of them in Williamsburg, and you're right about the sidewalks.

Friday, January 1, 2010

Happy New Year!

Yucca filamentosa 'Color Guard' in front of an array of ornamental grasses, herbaceous perennials, and an oakleaf hydrangea (Hydrangea quercifolia) under fresh snow in the Conservatory Garden, Central Park, New York City, New Year's Eve 2010.

Monday, December 28, 2009

December ocean

Before heading back home from my folks house post-holiday we swung by Wiborg's for a quick walk. Cold, very cold, but beautiful as always.